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An original oil on panel painting, featuring 9 individual subjects, presented in a hand-made display featuring oak, marble, plaster and 23.5kt gold leaf sun-beams

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Open a larger version of the following image in a popup: Mark Sheeky, A Monstrance Of Life
Open a larger version of the following image in a popup: Mark Sheeky, A Monstrance Of Life
Open a larger version of the following image in a popup: Mark Sheeky, A Monstrance Of Life
Open a larger version of the following image in a popup: Mark Sheeky, A Monstrance Of Life

Mark Sheeky

A Monstrance Of Life
oil on panel featuring 9 individual subjects, presented in a hand-made display featuring oak, marble, plaster and 23.5kt gold leaf sun-beams
57 x 52 x 15 cm
22 ½ x 20 ½ x 6 in
Copyright © Mark Sheeky
£ 5,000
Mark Sheeky, A Monstrance Of Life
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ARTWORK NARRATIVE:

The work reinterprets the form of a Roman Catholic monstrance—traditionally a radiant, sun-like object used to display sacred relics—as a secular artifact that venerates nature and life itself...

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ARTWORK NARRATIVE:

The work reinterprets the form of a Roman Catholic monstrance—traditionally a radiant, sun-like object used to display sacred relics—as a secular artifact that venerates nature and life itself. Drawing on humanist rather than religious symbolism, it evokes a contemplative appreciation of the natural world.


The composition incorporates emblematic elements of life, including animals, plants, and food—such as a bee, lamb, fish, sparrow, daisy, fox, cat, and bread—arranged around a central oak cluster with an acorn, a widely recognised symbol of nature and continuity. Natural materials are used throughout: the structure is made from European oak, with veneered components selected for structural stability, and acrylic glazing used for safety.


Nine small paintings are executed on a single circular MDF panel using layered oil paint techniques, combining opaque underpainting with transparent glazing containing traces of amber. Radiating outer elements are hand-sculpted from plaster and paper fibres and finished with gilding. Cracked areas of gold leaf intentionally reveal a red ground beneath, creating textural contrast and referencing traditional gilding practices.

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